Nothing ever goes according to plan,Kalakal and sometimes that means you get to spend the weekend with Chance the Rapper — not the Weeknd, though. He was busy.
After Governors Ball canceled the third day of the festival and enraged Kanye West fans earlier this year, organizers made it up by creating the Meadows Festival to bring West and friends back to New York City.
Here are all the best moments of the fest's inaugural year:
No women at all were included in the bulk of the marketing for the festival, which focused on Kanye West, The Weeknd, J. Cole, Chance the Rapper and Kygo, despite Grimes taking the main stage at 6:45 on Saturday night to a packed crowd.
But if your feminist rage needed an outlet this weekend, Grimes' vibrant, furious set — complete with sword-wielding dancers — was an hour of jubilant catharsis.
With Art Angels, Claire Boucher has completed her metamorphosis into a full pop star, booming through the festival grounds. She lamented that Janelle Monae wasn't there to join her for their collaboration, "Venus Fly," but was psyched to play it anyway because, "we like banging on stuff." We hear you loud and clear, Grimes.
The Weeknd trolled his fans' emotions over the past week — by cancelling, rescheduling and again cancelling his set — but J. Cole came to the rescue with a standout performance at The Meadows festival. The rapper acknowledged that he wasn’t originally supposed to be there, but that didn’t stop him from breezing through a set that spanned his entire discography, including early hits like “Crooked Teeth” and more. His most recent release, 2014 Forest Hills Drive, arrived in 2014. He’s been touring since its release and took some time on stage to reveal a bit of sad news to his fans. “This is my last show for a very long time,” he said. And while some people moped, most were just glad to have seen his electric performance before he begins his hibernation.
Nothing is better than an electrifying set from Bob Marley’s son, Damian ‘Jr. Gong’ Marley, but seeing Broad City's Ilana Glazer having a blast and enjoying the reggae from the sidelines in a velour tracksuit is pretty damn close.
Despite playing earlier in the day, Sylvan Esso drew in a large crowd for a standout Saturday performance. Singer Amelia Meath was especially pumped to be playing in the festival’s first year, telling the crowd that they had awesome the power of setting the tone for years to come. The duo mesmerized the crowd with songs from their self-titled debut album, but also treated the audience to new songs. Fans might not have known the words, but that did not stop them from swaying and smiling.
Puppets are no strangers to hip hop artists. During his colorful set at The Meadows, Chance the Rapper added to the long history of using puppets, interacting with characters like Carlos the lion who helped narrate the show with transitions between songs. He played a large selection of hits from his album, Coloring Book,which he is currently touring nationwide. Chance surprised the audience — attendees included Chris Rock and Zac Efron — and brought out Francis Farewell Starlite from the band Francis And The Lights, who performed “Friends.” The two recreated the dance from the music video as confetti burst from the stage. All in all, a pretty magnificent moment.
Matty Healy is a perfect frontman, and he knows it. The 1975 singer, his hair in the mohawk version of whatever goes on on top of Robert Smith's head, took drags from his cigarette during saxophone breaks and flopped around like a startlingly confident deflating balloon.
But Healy also knows that he's nothing without the teenage girls who make up the majority of his fiercely devoted fanbase. The crowd of young women bonding in a state of unfettered enthusiasm was a thing of joy, with aspiring photographers swapping Instagram handles and promising to stay in touch online.
"I have college interviews this week and I just shot my voice," said one girl after their grand finale — "Sex" — grinning ear to ear without a trace of regret.
When fans waited for Kanye West to take the stage, the eerie music of "Wolves" played softly as the crew tried their damnedest to fill all of Queens with fog. When Yeezy hit the stage, the sky lit up with fireworks.
Shortly before Kanye's performance was cut short, he played the track, which served as the emotional centerpiece of his set. The song is West's most vulnerable Pabloera song, detailing his fierce devotion to his wife and the necessity of protecting his family. It was dramatic in the moment, but it was especially chilling knowing West's wife, Kim Kardashian, had just been held at gunpoint across the globe.
During "Heartless," West was pulled to the side of the stage, after some initial resistance to pause the set, and got the news, abruptly ending the festival under mysterious circumstances.
Topics Music
This new Amazon patent is exciting news for fashion fansHere's why Mitch McConnell's team tweeted out that very creepy GIF5 things we learned about Zuckerberg and Facebook from 'The Ugly Truth''Space Jam: A New Legacy' is a really long ad for Warner Bros.: ReviewThis new Amazon patent is exciting news for fashion fansQuestlove lets the music — and the memories — speak in 'Summer of Soul'Heartbreaking video of little boy singing in memory of his sister goes viralHow to send a text message in Clubhouse20 Snapchat tips and tricks you might not know aboutFan who wrote to Dave Chappelle picks apart transgender jokesJoe Biden says Facebook is 'killing people' with COVID misinformationYou can call scrunchies 'hair clouds' now if you wantThat surprise Loki villain also voiced the Disney+ show's Time'Mad Men' star Rich Sommer chats about his role on 'The Office''Schmigadoon!' is a goofy delight for musical fans: Apple TV+ reviewWe tried the Kraft mac and cheese ice cream flavor: review'Never Have I Ever' Season 2 leans in to Devi's imperfectionsBird attempts to make it harder to scoot under the influenceNetflix's 'Fear Street Part 3: 1666' sticks the landing: ReviewNY Daily News cover features Trump, Bannon in a 'cuck fight' Hannah Arendt, Poet by Srikanth Reddy On Getting Dressed by Isabel Cristo Control Is Controlled by Its Need to Control: My Basic Electronics Course by J. D. Daniels At the Five Hundred Ponies Sale by Alyse Burnside Siding with Joy: A Conversation with Anne Serre by Jacqueline Feldman to recover belongings from a wreck by Dionne Brand “What a Goddamn Writer She Was”: Remembering Alice Munro (1931–2024) by The Paris Review The Art of the Libretto: John Adams by Sophie Haigney I Cannot by Lucy Schiller Hands by Gil Cuadros Anacondas in the Park by Pedro Lemebel The Poetry of Fact: On Alec Wilkinson’s Moonshine by Padgett Powell Throwing Yourself Into the Dark: A Conversation with Anne Carson by Kate Dwyer An Opera on Little Island by Helen Rouner Story Time by Cynthia Zarin Rented Horrors by Kathleen Alcott Those That Are Fools: At Clownchella by Rob Goyanes The River Rukarara by Scholastique Mukasonga The ABCs of Gardening by Adrienne Raphel Dorm Room Art?: At the Biennale by Camille Jacobson
2.454s , 10158.8671875 kb
Copyright © 2025 Powered by 【Kalakal】,Prosperous Times Information Network